LOVE & PEACE (Chicago Premiere) hosted by The Chicago Cinema Society at Chicago Filmmakers.

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Describing a Sion Sono film is always a challenge, but this time, the creator of the masterpieces LOVE EXPOSURE and SUICIDE CLUB surpasses himself! With LOVE & PEACE, he fuses together tokusatsu films, the musical and fantastic comedy, throwing in talking toys that inhabit a fairlyland in the Tokyo sewers and casting a critical but loving eye on contemporary Japan. Dusting off a 20-year-old script of his, Sono poured his heart into LOVE & PEACE, for which he composed a few catchy numbers, and kept the special effects old-school for Pikadon and his toybox pals. LOVE & PEACE is a funny, touching and deliciously strange feel-good flick (written by Nicolas Archambault)

SYNOPSIS:

Ryoichi, a disgraced musician, is treated with contempt by his co-workers at the third-rate company where he toils. To bring a little light into his miserable life, he adopts a tiny turtle, which he names Pikadon. With this new companion, Ryoichi’s spirits are lifted enough to rekindle his musical dreams, but the day he brings Pikadon to work, his colleagues force him to flush the reptile down the toilet. Ryoichi is devastated, but his obsession with the animal, oddly, brings him back to music. Meanwhile, Pikadon’s journey through the sewage system leads him to a strange fellow who takes abandoned toys and animals under his wing. The old man even gives them the means to talk. However, a ludicrous mistake invests the Pikadon with the potential for incredible growth. Pikadon and Ryoichi are destined to reconnect in a wild frenzy of love, rock ’n’ roll and collateral damage.

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SCREENING INFORMATION:

LOVE & PEACE
Digital Projection, 117mins
Location: Chicago Filmmakers
5243 N Clark St. 60640
Dates:
January 8th at 8:00pm
January 10th at 7:00pm
Ticket price: $9.00

Love & Peace is one of three Sion Sono films screening as part of this year’s Fantasia International Film Festival. Credit: Fantasia.

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SUNRISE (Chicago premiere) hosted by The Chicago Cinema Society at Chicago Filmmakers.

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With SUNRISE, Partho Sen-Gupta reveals himself to be, not unlike Anurag Kashyap (UGLY, GANGS OF WASSEYPUR), one of India’s most promising independent filmmakers. Staying off Bollywood’s beaten path, he instead offers with SUNRISE a poignant and maddening noir-inflected thriller, set in Mumbai’s child-trafficking industry. Deliberately provocative, structurally challenging and exquisitely stylized, in alternating Refn-esque garish colours and expressive chiaroscuro that would make Pedro Costa proud, SUNRISE unfolds like a lucid dream, or rather, the nightmare of one police officer, whose guilt materializes as horror. Powerful, bold and uncompromising, there is nothing even remotely sunny about SUNRISE, yet it shines bright, violently eclipsing the competition. (by Ariel Esteban Cayer)

SYNOPSIS:

The life of Inspector Lakshman Joshi (Adil Hussain, seen in LIFE OF PI) has been a living hell ever since his young daughter Aruna vanished without a trace. Driven nearly insane by her disappearance, he walks his police beat by day and furiously roams the streets at night, pursuing an elusive shadow-man into the darkest, seediest, most haunted corners of Mumbai. Night and night again, this fever-dream pursuit leads him to Paradise, a gentlemen’s club where disgusting men prey on underage dancers. Powerless, he heads home every night, to find a broken wife. Another case soon lands on his desk: that of Naina, a kidnapped six-year-old, brought into a nearby brothel. Are Paradise and Naina connected? Joshi spirals further and further downward…

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SUNRISE
1st screening:
Digital Projection, 85mins
Location: Chicago Filmmakers
5243 N Clark St. 60640
Date: Saturday, January 16th
Time: 8:00pm
Ticket price: $9.00

2nd screening:
Digital Projection, 85mins
Location: Columbia College (Hokin Hall)
600 S Michigan Ave. 60605
Date: Tuesday, January 19th
Time: 6:30pm
Ticket price: $9.00

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THE CASE OF HANA AND ALICE (Chicago premiere) hosted by The Chicago Cinema Society at Chicago Filmmakers.

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Following several memorable projects, such as ALL ABOUT LILY CHOU-CHOU, auteur Shunji Iwai surprises us with a more playful tone in a first foray into the world of animated film, which weds rotoscoping and digital animation. While he tackles touchy subjects such as divorce and bullying, THE CASE OF HANA & ALICE remains first and foremost a charming comedy that uses the vivid imagination of its characters as means to create hilarious situations. Actually a prequel to its predecessor HANA & ALICE (2004), our joy at reuniting with these characters is almost equal to that felt by Yu Aoi (RUROUNI KENSHIN) and Anne Suzuki (HELTER SKELTER) in revisiting them. However, except for a few references that will please fans of the first film, THE CASE can totally be appreciated on its own. By throwing everything he had as a director, writer and composer at this irresistible animated debut, Shunji Iwai confirms his rightful place amongst the most eclectic directors of his time. (by Nicolas Archambault, Fantasia International Film Festival)

SYNOPSIS:

Spunky Tetsuko, AKA Alice, is off to a fresh start. Having just settled down with her recently divorced mother, she’s set to begin school at Ishinomori College. Upon arrival, she quickly falls victim to peer bullying, but after running into Fuko, an old ballet partner, she finds solace in her return to dance. It is during such a dancing session that she overhears about the enigmatic affair of the Ishinomori High murder. According to rumour, a student named Judas was supposedly killed by four other students also named Judas. Despite its inherent absurdity, the story fuels many fiery discussions and leads to much strange behaviour, including ludicrous rituals and in-class possessions. When Alice discovers that her next-door neighbour Hana, who’s been holed up inside her apartment for months, might hold the missing pieces to this homicidal puzzle, she decides to pay her a visit. Together, they’ll follow the threads of a shady investigation that will cement their friendship forever.

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THE CASE OF HANA AND ALICE
Digital Projection, 110mins
Location: Chicago Filmmakers
5243 N Clark St. 60640
Dates:
December 4th at 8:00pm
December 6th at 7:00pm
Ticket price: $9.00

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CRUMBS (Chicago premiere) hosted by The Chicago Cinema Society at Chicago Filmmakers.

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Ethiopia’s first sci-fi feature also happens to be a post-apocalyptic black comedy, an eccentric love story and a brilliant blast of politically charged surrealism. The most jaded cinephile will be lit up by this intelligent and offbeat blast of Afro-futurism. It’s an extraordinary feature debut for writer/producer/director Miguel Llansó, sumptuously photographed with widescreen panoramas the make potent use of Ethiopia’s largely alien-to-Western-eyes landscapes, and staged with a bottomless sense of invention, poetry and wit. Llansó has created a hugely original futureworld oddity, where magic fuses with history, and religious faith evolves into something even more absurdist than the extremes of our current age — all fronted by a performer every bit as singular as the film itself. To state the obvious, CRUMBS is quite unlike anything you’ve ever encountered. (by Mitch Davis – Fantasia International Film Festival)

SYNOPSIS:

In a distant future wasteland, many years after an apocalypse wiped out most of humankind’s history, a new religion has emerged. Random found artifacts of late 20th century pop culture that have been collected into a twisted spiritual narrative of gods and wonders. This is a land where a vintage Michael Jackson LP is a sacred object. Physically malformed Candy (the incredible Daniel Tadesse, a star in the new wave of Ethiopian film) is tired of his day-to-day routine, salvaging and bartering scraps from bygone civilizations. He embarks on a quest to conquer his fears and learn more about a mysterious UFO that’s been hovering in the sky “since the beginning of the big war.” His journey will see him crossing paths with numerous unexpected obstacles, including witches, Nazis and an emaciated and rather belligerent Santa Claus.

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CRUMBS
1st screening:
Digital Projection, 68mins
Location: Chicago Filmmakers
5243 N Clark St. 60640
Date: Saturday, October 24th
Time: 8:00pm
Ticket price: $8.00

2nd screening:
Digital Projection, 68mins
Location: Columbia College (Hokin Hall)
600 S Michigan Ave. 60605
Date: Tuesday, October 27th
Time: 6:30pm
Ticket price: $8.00

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TURBO KID (Chicago premiere) hosted by The Chicago Cinema Society at Chicago Filmmakers.

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The Chicago Cinema Society is extremely proud and excited to announce the Chicago Premiere of TURBO KID at Chicago Filmmakers for three screenings starting on August 28th (see bottom of post for specifics)! The debut feature from Canadian filmmaking collective RKSS, TURBO KID is a wild throwback to post-apocalyptic action cinema of the 80s filtered through colorful Saturday morning cartoons and video game box art. Featuring Michael Ironside and a killer synth soundtrack, TURBO KID bursts off the screen with adventure, gore, and heart. Don’t miss one of the most fun and unique movies of the year!

Synopsis:

In a post-apocalyptic parallel future of 1997, an orphaned teenager called The Kid scavenges the Wasteland searching for relics from a better time (the 80s). During one of his expeditions he meets Apple, a mysterious girl with a rather large secret. As their relationship deepens, they accidentally run afoul of Zeus, the self-proclaimed leader of the Wasteland. Zeus, a sadistically droll maniac who murdered The Kid’s parents, now controls the Wasteland’s most precious commodity: fresh water. When Zeus’ gang kidnaps Apple, The Kid joins forces with Frederick, the laconic leader of the legendary Arm-Wrestling Clan. Armed with little more than blind faith and an ancient turbo-charged weapon, The Kid must fulfill his ultimate destiny: destroy Zeus, avenge his parents’ death and get the girl of his dreams.
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FILM FESTIVAL SELECTIONS & AWARDS:

Audience Award – Best Film: Fantaspoa International Fantastic Film Festival
Jury Award – Best Art Direction (International Film): Fantaspoa International Fantastic Film Festival

Audience Award – Midnighters: SXSW Film Festival

Best Director (RKSS): Bucheon International Fantastic Film Festival

Official Selection: Sundance Film Festival

REVIEWS:

“Perhaps the most colorful film ever made with a postapocalyptic setting, TURBO KID is a loud, energetic homage to Eighties kitsch (though set in 1997) with so much going on that it makes sense that it took three directors (François Simard and Anouk and Yoann-Karl Whissell, aka RKSS or Road Kill Super Stars) to wrangle it all.” – Laura Kern, Film Comment

“TURBO KID is the ultimate midnight movie… RKSS creates a rich, vibrant world and packs it to the brim with fun idiosyncrasies, details and characters.” – Perri Nemiroff, Collider

“A post-apocalyptic homage that’s kitschy on purpose (which is sort of easy), very funny on its own merits (which is not), and actually sort of sweet — which is practically unheard of when you’re dealing with this particular sub-genre.” – Scott Weinberg, Nerdist

“A pitch-perfect pastiche that never mocks its inspirations…” – John DeFore, Hollywood Reporter

“TURBO KID is insane… feels like no other film in the last decade.” – Peter Sciretta, Slashfilm

“TURBO KID is a magical can’t-miss experience that’s like a Saturday morning cartoon turned into an apocalyptic 80s fever-dream… an invigorating adventure that has its phasers set to WOW!” – Matt Donato, We Got This Covered

SCREENING INFORMATION:

TURBO KID
Digital Projection, 93mins
Location: Chicago Filmmakers
5243 N Clark St. 60640
Dates:
August 28th at 8:00pm
August 29th at 8:00pm
August 30th at 7:00pm
Ticket price: $8.00

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TOKYO TRIBE (Chicago premiere) hosted by The Chicago Cinema Society at Chicago Filmmakers.

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The Chicago Cinema Society is extremely proud and excited to announce the Chicago Premiere of Sion Sono’s TOKYO TRIBE at Chicago Filmmakers on August 15th and Columbia College on August 19th! This is one of the craziest films of the year: you DO NOT want to miss this one. To say that TOKYO TRIBE is Sion Sono’s most entertaining film is to spectacularly undersell just how insanely fun it actually is. It’s a loud, vibrant, hilarious, bizarre explosion that comes across as an amalgam of Takashi Miike’s V-Cinema gangster movies, Walter Hill’s THE WARRIORS, JET SET RADIO, and the constantly floating camera and eye-searing neon color schemes of ENTER THE VOID. Incredible! Check out the trailer below and do not miss it!

 

“In a futuristic, alternate-world Tokyo, the city is made up of ghetto slums and nightclub playgrounds where gangs of wayward youth rule the streets. The city is carved up into ‘hoods, and the crossing of territorial lines quickly leads to riots and rumbles. On the turf ruled by the savage yakuza Big Buppa (Riki Takeuchi, from Takashi Miike’s Fudoh: The New Generation and Dead or Alive series), the simmering tension is about to boil over into all-out war.
With Tokyo Tribe, Sono has crafted a cinematic melting pot of madness referencing everything from Walter Hill’s The Warriors and Streets of Fire to Shûji Terayama’s legendary experimental film Emperor Tomato Ketchup, John Carpenter’s Escape from New York, Julien Temple’s Sex Pistols documentaries, the final showdown from Scarface and, of course, West Side Story.

Avoiding the usual fresh young faces of Japanese films, director Sion Sono chose to cast real rappers, tattoo artists and stunt performers in many of the main acting roles, a rebellious move that brings vibrancy and freshness to his outlandish street-fighting epic. Set to a score of bangin’ beats and bizarre rap lyrics, Tokyo Tribe will leave you beat-boxing for more. ”  Colin Geddes – TIFF

TOKYO TRIBE
1st screening:
Digital Projection, 116mins
Location: Chicago Filmmakers
5243 N Clark St. 60640
Date: Saturday, August 15th
Time: 8:00pm
Ticket price: $8.00

2nd screening:
Digital Projection, 116mins
Location: Columbia College (Hokin Hall)
600 S Michigan Ave. 60605
Date: Wednesday, August 19th
Time: 6:30pm
Ticket price: $8.00

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DER SAMURAI (Chicago premiere) hosted by The Chicago Cinema Society at Chicago Filmmakers.

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The Chicago Cinema Society, in association with Chicago Filmmakers, is proud to present the Chicago premiere of the utterly unique film festival hit “Der Samurai” at Chicago Filmmakers on Friday, May 15th. Debut feature director Till Kleinert’s film is a surreal mix of dark comedy and eerie creep-out that follows a young policeman named Jakob working the night shift in a sleepy small town. While trying to track a wolf that has been menacing the locals, Jakob’s investigation is interrupted by the appearance of a mysterious man in a ladies’ slip and lipstick, toting a samurai sword and ready to tear the town apart. Completely bizarre and wildly entertaining, “Der Samurai” is a must-see!

Synopsis:

Unlike any other horror film you’ll see this year, “Der Samurai” is a German mind-bender about shape-shifting cross-dressers, bloody decapitations, repressed sexual desires and small town life. But while director Till Kleinert’s film is a surreal mix of dark comedy and eerie creep-out that recalls David Lynch. Jakob is a policeman in a village deep in the woods, where little happens until the arrival of a mysterious wolf that is causing havoc. Working the night shift, Jakob is tracking the wolf…only to discover that the lupine lurker is actually a man clad only in lipstick and a ladies’ slip, and toting a samurai sword that he uses to lop off the heads of the townspeople, including Jakob’s tormentors. Jakob and the transvestite samurai seem to share a bond, and as the night gets darker, events get even weirder. Completely bizarre yet wildly entertaining, “Der Samurai” is a horror must-see for the adventurous!

REVIEWS:

“If you find yourself looking towards the fringes with longing, wondering what is lurking in the shadows that surround safe cinema, safe horror, you know what you have to do. Answer the call.” – Joshua Chaplinsky, Twitch

“…you’ll probably ask yourself: Did I really just see that?” – Drew Taylor, The Playlist

“…horror fans hungry for something refreshing and inspired will not want to sleep on this one.” – Patrick Cooper, Bloody Disgusting

“The opening scenes of DER SAMURAI carry that pleasurable feeling that can be hard to come by on the current horror scene: The sense of not knowing at all where the story’s going, but that the filmmaker knows just what he’s doing.” – Michael Gingold, Fangoria

“…will burn in your brain long after the heads, and the credits, have rolled.” – Jon Condit, Dread Central

ALSO SCREENING: The award winning short THE STOMACH!

Synopsis:
Frank’s had enough. A spirit medium whose unique and grotesque method of channeling the dead is putting his own life at risk, he wants out. But others, in this world and the next, have plans of their own. Part body horror, part crime thriller, part ghost story, The Stomach is a unique tale of Supernatural Noir.

DER SAMURAI + THE STOMACH
Digital Projection, 79mins + 15mins
Location: Chicago Filmmakers
5243 N Clark St. 60640
Date: Friday, May 15th
Time: 8:00pm
Ticket price: $8.00
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THE CREEPING GARDEN (Chicago premiere) hosted by The Chicago Cinema Society at Chicago Filmmakers.

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We are really excited to be able to bring one of our favorite documentaries from the festival circuit here to Chicago. We will be hosting two screenings, one on April 4th and the second on April 8th (see the very bottom of this post for all specifics). (UPDATE: additional screening on 4/19) A real life science fiction movie exploring a world creeping right beneath our feet, where time and space are magnified and intelligence redefined. The Creeping Garden is a feature length creative documentary exploring the work of fringe scientists, mycologists and artists, and their relationship with the extraordinary plasmodial slime mould. The slime mould is being used to explore biological-inspired design, emergence theory, unconventional computing and robot controllers, much of which borders on the world of science fiction. But as well as exploring the slime mould in the lab, the film also travels out into the wild, hunting for the organisms in their natural habitat

The slime mould is being used to explore biological-inspired design, emergence theory, unconventional computing and robot controllers, much of which borders on the world of science fiction. But as well as exploring the slime mould in the lab, the film also travels out into the wild, hunting for the organisms in their natural habitat. Co-directed by artist film-maker Tim Grabham and writer and film curator Jasper Sharp, the film follows in the unconventional footsteps of Grabham’s previous feature ‘KanZeOn’ and Sharps fascination with the extended world of mycology. With an original soundtrack composed by celebrated musician and producer Jim O’Rourke (Sonic Youth, Werner Herzog’s ‘Grizzly Man’) this is a unique exploration into a hitherto untapped subject matter, observing and immersing the audience into the worlds of the observers and the observed.

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REVIEWS:

‘Stupendously fascinating and individualistic documentary masterpiece… see it and be forever altered.’

Mitch Davis, Fantasia International Film Festival

‘The Creeping Garden is, cinematically, the reflection of its subject… a masterpiece… An absolute must ‐ see.’

Joseph Elfassi, Voir Montreal

‘The movie hums as if it was shot by aliens visiting Earth for the first time, and that’s a high compliment.’

Jordan Hoffman, The Guardian

‘Imagine if Stanley Kubrick and Douglas Trumbull were tasked with making a 1970s educational science film about the pods from Don Siegel’s Invasion of the Body Snatchers and you’re some way to understanding The Creeping Garden.’

James Marsh, Twitchfilm

‘An out-of-left-field nerdy delight’

John DeFore, The Hollywood Reporter

‘An enthralling delve into the world of plasmodial slime moulds deserving to be served up at a series of other festivals… A unique documentary to be sure.’

Mark Adams, Screen International

‘An essential reminder of how smart docs about peculiar subjects can be as entertaining as any psycho thriller… Who knew fungal gunk could be so rapturous to behold?’

Steve Dollar, Indiewire

‘This is a documentary that transcends its form and creeps, mold-like, into your subconscious. And so far as unusual experiences go, The Creeping Garden is one I’d recommend wholeheartedly.’

BloodyUnderrated.net

‘A gorgeously careful film, this thing is beyond fascinating. A must-see.’

David Bradford, Forget The Box.net

SCREENING INFORMATION

THE CREEPING GARDEN
1st screening
Digital Projection, 81mins
Location: Chicago Filmmakers
5243 N Clark St. 60640
Date: Saturday, April 4th
Time: 8:00pm
Ticket price: $8.00

2nd screening
Digital Projection, 81mins
Location: Hokin Hall at Columbia College
623 S Wabash Ave. 60605
Date: Wednesday, April 8th
Time: 6:30pm
Ticket price: $8.00

Additional screening
Digital Projection, 81mins
Location: Chicago Filmmakers
5243 N Clark St. 60640
Date: Sunday, April 19th
Time: 7:00pm
Ticket price: $8.00

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THE SEARCH FOR WENG WENG (Chicago premiere) with Director Andrew Leavold in attendance hosted by The Chicago Cinema Society at Chicago Filmmakers.

weng wengWe are so excited to be hosting the Chicago premiere of THE SEARCH FOR WENG WENG on December 12th with our friends at Chicago Filmmakers. We are even more excited that Director Andrew Leavold will be flying in from Australia and will be in attendance to introduce the film with a Q&A after the screening. We here at the Chicago Cinema Society have been big fans of the few films that Weng Weng has starred in and had been waiting anxiously for this documentary as we, too, were curious as to what had happened to this almost mythical individual. Leavold’s journey to the Philippines with barely any leads on Weng Weng’s  possible whereabouts is incredible. Do not miss this amazing documentary!

Synopsis:

One night in 1996, Australian cult video store owner turned guerrilla filmmaker Andrew Leavold dreamt he was in the Philippines directing a documentary about Weng Weng, the two-foot-nine Filipino James Bond. Ten years later, he’s actually in Manila making a deal with the forces of chaos and following his two decade obsession to its logical conclusion.

It’s just the beginning of a very strange adventure, and as fate would have it, it’s all captured on film. As for Weng Weng: he remains an enigma even to those who worked with him. His reign as the midget Agent 00 was an outrageous novelty that plucked him from complete obscurity and returned him just as quickly. What was he like? When and how did he pass away? In a country of 80 million people, it seems the truth about Weng Weng has slipped between the cracks forever.

“THE SEARCH FOR WENG WENG” leapfrogs from one eccentric character to the next – directors, producers, actors, stuntmen, dwarf waiters, even Imelda Marcos herself, each one with a unique place in Filipino cinema – all the while dismantling the country’s greatest filmic urban legend. Proving reality sometimes really is stranger than fiction, it’s part detective story, part forgotten B film history, and part surreal Quest for the Holy Grail – that is, if the Grail is a two foot nine superstar called Weng Weng.

THE SEARCH FOR WENG WENG
Digital Projection, 96mins
Location: Chicago Filmmakers
5243 N Clark St. 60640
Date: Friday, December 12th
Time: 8:00pm
Ticket price: $8.00

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I AM A KNIFE WITH LEGS (Chicago premiere) hosted by The Chicago Cinema Society at Chicago Filmmakers.

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We are incredibly excited to be hosting the Chicago premiere of the hit on the film festival circuit, I AM A KNIFE WITH LEGS. Too unique, too weird, too unconventionally hilarious and simply too amazing to ever be produced with anything other than the microbudget it was made on, I AM A KNIFE WITH LEGS is exactly the sort of film that illustrates why underground outsider cinema remains essential in 2014. Show us a work with more oddball personality this year, we challenge you. Shot on a budget of just $12,000 on 24P mini DV beginning in 2007 and emerging from post-production only this year, it’s driven by a very strange style of straight-faced absurdist humour, sort of reminiscent of TIM & ERIC AWESOME SHOW, GREAT JOB!, if any comparison has to be drawn. However, this is something that exists entirely on an island of its own, the toothpicks-and-bubblegum, no-budget aesthetics further enhancing the film’s gonzo charm. In fact, they’re a key part of its comedic tapestry.

Synopsis:

International Europop star Bené is holed up at a secret Los Angeles location, in hiding after a fatwa has been taken out on him via the dreaded FatwaList.com website. All he knows is that the fatwa was taken out by a figure with the user name “iluvtennis127”, whose profile pic is a shot of his hand with a face drawn on it. Bené is haunted by the memory of his girlfriend Baguette who was recently killed by a suicide bomber bomber (“I’ll kill that suicide bomber”). Unfortunately, Baguette was not a very interesting person, and she did all the things normal people would do, so every mundane item and activity reminds him of her. With him in the safe house is frustrated manager/security Beefy (Will Crest), who does his best to keep the awkward pop star safe — and occupied. Bené spends his time in all kinds of strange ways, making uproarious contemplations, getting into gut-bustingly bizarre circular arguments, writing songs, dealing with nosy neighbors, whipping up disguises in order to go outside and — oh yeah — fighting off the odd militarily trained super-soldier.

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Writer/producer/director/composer/editor/sound designer/star Bennett Jones — who also sings a number of impossibly great and preposterous songs — is a gobsmackingly original voice. He shaped his “terribly serious and ridiculous” Bené character over years of standup comedy performances and has emerged with a genuinely special creation. All kinds of weird and wonderful beats pop up from out of nowhere, hysterically funny lines are deadpanned into instant immortality (the banter between Jones and Crest is absolute comic gold), rugged animation, lo-fi psychedelia, crazy catchy electropop, nutzoid backstories and the odd burst of eccentric action and destruction collide to make this a film truly unlike anything else on the planet. (thanks to Mitch Davis of Fantasia International Film Festival for the write up!)

I AM A KNIFE WITH LEGS
Digital Projection, 84mins
Location: Chicago Filmmakers
5243 N Clark St. 60640
Date: Saturday, December 13th
Time: 8:00pm
Ticket price: $8.00 in advance and can be purchased by clicking onto this sentence.

Looking forward to seeing you all there!

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  • UPCOMING SCREENINGS

    2/19: THEY LOOK LIKE PEOPLE and THE INTERIOR double feature at Chicago Filmmakers at 7:30pm

    2/21: THEY LOOK LIKE PEOPLE and THE INTERIOR double feature at Chicago Filmmakers at 7:00pm

    4/16: TBA

    4/19: TBA