KUNG FU ACTION TRIPLE FEATURE!!!! Presented by The Chicago Cinema Society at The Portage Theater.


THE 36TH CHAMBER OF THE SHAOLIN (Dir. Liu Chia-Liang, 1978, subtitled)

 THE KID WITH THE GOLDEN ARM (Dir. Chang Cheh, 1979, dubbed)

 COLD STEEL (CHICAGO PREMIERE, Dir. David Wu, 2012, subtitled)

The Chicago Cinema Society is incredibly proud to be screening two classic Kung Fu features that we love dearly along with the Chicago premiere of a wonderful new feature by the great David Wu (editor of a number of Shaw Brothers and John Woo films). All three features will be screened at The Portage Theater on Saturday, February 23rd. Let us get to the specifics shall we?

THE 36TH CHAMBER OF THE SHAOLIN (Dir. Liu Chia-Liang, 1978, subtitled)

A timeless kung fu classic! Widely considered to be one of the greatest kung fu films of all time and undoubtedly one of the most influential upon the genre. Before films like ‘Once Upon A Time In China’ and ‘Crouching Tiger, Hidden Dragon’ showed critics that martial arts films deserve serious examination, the works of Chang Cheh and Liu Chia Liang were impressing arthouse audiences throughout the 70s. Importantly though, neither director rested solely on the reputation of one film; both are responsible for a numerous landmark productions. Liu Chia Liang’s ‘The 36th Chamber Of Shaolin’ is one such important cinematic classic and remains influential not just in Hong Kong film-making, but also globally.

During a time when Manchu forces are oppressing the people of China to an overwhelming degree, a few rebels attempt to stand up to their rulers. With this resistance appearing in small, disorganised pockets though, these moments of insurgence are quickly extinguished. Liu Yu Te (Liu Chia Hui) observes the actions of this vicious regime, but feels he cannot contribute to the patriotic attempts and therefore decides to continue his study unaffected. When his teacher incites the pupils of the school to make a stand against their oppressors, Liu suddenly feels the courage to play his part in the minimal underground movement. It’s not long before the Manchu officials of the town discover this and, with swift action, they kill Liu’s teacher and father. The naive young student is forced to flee town and after a severe beating at the hands of some patrolling fighters, seeks shelter at the Shaolin temple. Liu gradually recovers from his wounds and begins to notice the regimented kung fu training that the monks engage in. After initial reluctance from the Shaolin abbots, he is accepted as a new trainee and starts at the very first chamber of Shaolin. All are amazed at his rapid progress through the 35 chambers and soon after his fighting ability reaches an impressive level. Overcoming one final hurdle before his graduation from the Shaolin training system, Liu – now dubbed San Te by his fellow monks – asks for a 36th chamber to be created to develop fighters in their battles against the Manchus. This revolutionary proposal sees San Te ejected from Shaolin temple and he now travels to his home town to see what has happened since his exit. Now face-to-face with his old enemies, San Te decides to strike a blow for the innocent and organise his own rebels against the villainous masses.



THE KID WITH THE GOLDEN ARM (Dir. Chang Cheh, 1979, dubbed)

We here at the Chicago Cinema Society have great love for the 20+ “VENOM MOB” films. The Venom films contain to this very day the highest quality martial arts choreography to have ever been committed to film. The Venom actors were the main choreographers in all of their films, highly skilled Chinese weapon experts, excellent actors and excellent acrobats. The Five Venoms are:

KUO CHUI (aka: Phillip Kwok), Venom alias: THE LIZARD


LO MENG, Venom alias: THE TOAD



WEI PAI, Venom alias: THE SNAKE

We inserted links to their respective facebook pages that Chicago Cinema Society moderates for more info. THE KID WITH THE GOLDEN ARM is one of the very few Venom films where all six Venom actors are present within a single film. Typically Wei Pai is absent from most of the Venom films only appearing in maybe 3-4 of the 20+ films. All other Venom films have at least 4 of the remaining Venoms if not all five.  Check out the wonderful intro:

After he’s given the task of transporting a highly sought after cargo of gold to a famine struck area of China, Yang Yu Heng (Sun Chien) gathers together a powerful team to ensure that the mission is successful. Among the hired hands are laconic swordsman Li (Wei Pei) and his devoted girlfriend, wise-cracking axemen Yen and Feng, and the mellow drunken master Hai To (Kuo Chui). As the journey begins, the main threat to the gold becomes apparent in the shape of the the notorious Chi Sah bandit gang. Within this opposing band are formidable foes such as Brass Head, Silver Spear and the renowned Kid With The Golden Arm (Lo Meng). During the numerous encounters between the two sides, sizeable numbers of both sides are waylaid and the heroes in particular find themselves under severe threat. Nonetheless, Hai To continues to support his associates in his own inimitable way, downing large jars of wine as he does so. However, a new threat is rumoured in the shape of the mysterious Iron Feet who is also known to be interested in the cargo. The question on everyone’s lips, though, is who is Iron Feet? It’s left to Hai To to find the answer to this perplexing mystery.



COLD STEEL (CHICAGO PREMIERE, Dir. David Wu, 2012, 35mm, subtitled)

Bullets show no mercy! War has ravaged China and chaos has reigned in many parts. An elite group of snipers have been assembled to take out enemies and traitors. Mu (Peter Ho), a rather young and naïve hunter, has been drafted to be part of the 204th unit after heroically shooting down enemies during an ambush. Squad leader Zhang (Tony Leung) welcomes him into the brotherhood by assigning him his first official mission. His task is to join the team in taking out four enemy generals and a handful of Chinese traitors. Mu’s recklessness and soft heart begin to cloud his judgment, and even diminish his abilities – as the best snipers need to be emotionally detached. Meanwhile, General Masaya sends some of his best sharp-shooters to retaliate. Whose bullets will speak louder?

Lock and load! Frequent John Woo collaborator David Wu returns with a vengeance and directs one of the most dynamic war films in years. Wu hits bulls-eye after bulls-eye with fast and furious gunfire action with a heavy dose of the kinetic energy from the best 80s Hong Kong action that will undoubtedly kick your adrenaline gland into overdrive.  Based on the famous and popular online Chinese novel, Wu improves upon original material with more humor and excitement. Wu is one of the most influential action editors for 40 years starting with Chang Cheh and Lau Kar Leung at Shaw Brothers to Tsui Hark, Ronny Yu and of course John Woo (A BETTER TOMORROW, HARD BOILED) is back to assault action cinema. Newcomer actor Peter Ho (upcoming MONKEY KING) brings a breath of fresh air as a leading actor to look forward to in the future, he keeps his performance intense yet funny and charismatic. (King-Wei Chu, Fantasia International Film Festival)

Also we will screen a number of interesting, rare and out of control trailers from the Chicago Cinema Society Film Archive before each film. Again, this will be at:

The Portage Theater (see map below)

4050 N Milwaukee

Chicago, Illinois 60641

Saturday, February 23rd, 2013

 Screening times are as follows:

6:00pm: Doors open

6:30pm: COLD STEEL



Tickets will be $10 in advance, $13 at the door and can be purchased by clicking onto this sentence.

Hope to see you all there for maybe your last chance to ever be able to see these films in the manner film was meant to be viewed: light passing through celluloid onto the silver screen. If you wish to see more rare 35mm prints, of which we have many lined up, please come out and support both us and the Portage Theater.

Portage coordinates

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